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The Problem With Endings

The Problem With Endings

When Jude died, life felt impossible. There are entire months of time that I can barely remember. Somehow, we got the important things done; Oscar went to school, we ate, we slept. We had a lot of help. We watched a lot of television.

The television we watched was mostly old stuff that we’d seen a dozen times before. It was comfort food. One thing I remember watching was Friends. It was a good show to watch because nothing about it was too serious and we had both grown up watching it as kids, so it was familiar. There were a good number of episodes, so we didn’t have to think about what to watch next. Just start it on Netflix and let it keep going until we started falling asleep in the evening.

It was also the first time I realized I had a problem with endings. Not just me, either. Without needing to discuss it, neither Tamzin nor I wanted to watch the last episode of friends and have it end. I have noticed the same thing with books and other television shows.

The books I read tended to be things that went on for a long time. I started re-reading the Discworld books, and even now I haven’t finished the series. It is just there, unfinished.

You don’t need to be a psychologist to realize why endings were such a problem for us; we had just dealt with the ultimate untimely ending and the idea of anything else finishing was hard to handle. Plus, there was no need for us to handle it. No one cared whether we watched the last episode of Friends. It didn’t matter whether I read the last few Discworld books.

There is one place where it does matter, though; my writing. If I can’t end a story, then I don’t really have a story. I quickly found that I did still have the desire to write (which surprised me, in the early days I had assumed I would never write again) but couldn’t bring myself to finish any of the stories I wrote.

It took me a long time to get over that, and along the way I found other ways to get the comfort I desperately needed from books that I was reading and books that I was writing. But it still isn’t easy.

Endings are tough.

Diminishing Returns

Maybe it’s my imagination, but it seems as if there is a fundamental difference in the way we think about books and other mediums. The longer a book series goes on, the smaller the readership. It feels as if we have accepted that each new installment will only appeal to a percentage of the readers who liked the previous book.

On the surface, that makes sense, but we don’t think that way about other things.

No one is suggesting they should stop making Star Wars or Marvel films because they will only appeal to a few existing fans! No one expects viewers of Doctor Who to have watched 60 years’ worth of stories.

In film and, to a lesser extent, television, we view each new entry in the series as a potential entry point for new fans, but I rarely see books talked about in the same way. 

There are reasons for this. Films are more self-contained; you can watch the latest super hero film without having seen all the others leading up to it because all the relevant information will be explained. I don’t feel so confident about picking up the latest in a book series.

So then is it because of the way we write books we expect each new edition to sell worse than the one before? To an extent, and if that’s the case, then can we overcome it? I think so.

The only long-running series I can think of that doesn’t have this problem is Discworld. You could jump in at any point in the 41 book series and enjoy the story. That is largely down to the brilliance of Terry Pratchett, but also because the stories themselves are self-contained, like films are.

As I begin the process of re-launching my series with new titles and remastered editions of old books, I’m looking at these lessons closely. I want each book, or sub-series, to be something that anyone could pick up and read. Sure, you will get more out of it if you read them all, but they should be accessible to all. And as I think about that, it seemed interesting that the best lessons for how to do it are contained in films and television, rather than books.

Ideas That Stick

It started off as an idea for a television show about a super hero called Champion. I came up with that while I was at college, so around the year 2000. It was a pretty good idea, highly influenced by the Tim Burton Batman films and Buffy The Vampire Slayer. I produced a lot of notes and plans for it, and then, because I was dreaming big, I came up with an idea for a spin-off that would be set 150 years before.

The spin-off, was called Blood Hound and that went through various incarnations before ending up as a quartet of books that were published in 2018. Which seemed to be the end of it, but the idea didn’t go away.

In the years since then, I have written other books set in the same world, some in the Blood Hound era, some in the modern era. Some were published, others have not been yet. The idea kept growing and I started thinking that I should rewrite the whole thing with all the new information and ideas. I made some notes on that as well, but it didn’t get very far.

Now I once again find myself working on a story set in Otherland, which is the name I’ve given to all the titles set in this universe. This new story is set in the modern world, which is very similar to our world, except there is magic and monsters in it.

I have written a lot of stories but it is rare that a world sticks with me the way this one has done. There are a lot more stories to tell about it, and I’m excited for this new era. There are going to be some changes to the existing stories, nothing major, just a few names and things that need to be updated to bring them inline with one another.

The first new releases are a series I wrote a while ago and never published. Currently called Night Hunter. That’s almost done and should come out in March 2024. There are three books, with more to follow. Then it’s the new series that I’m starting now.

This world is not done with me yet.

Weekly Update: Getting back on track

Production

Untitled Cozy Catastrophe

I am currently at 44,000 words on the first draft of this, which I started at the beginning of November for Nanowrimo. That’s around about 70% on the first draft.

Hell Hole

This was about 95% written when I stopped work on it, due to things going on in my life. To be honest, I wasn’t expecting to ever work on it again, but things change and it’s probably what I will be doing when I finish work on the Cozy Catastrophe.

The Ladies Adventure Society

This is about 50% done. Not sure when I will get back to work on it, but it’s still on my list.

Revolver

I am less sure that I will work on this, but I still really like the story. I am keeping it on the list for now.

Editing

Still working through the re-masters and making good progress. There are some new titles which have never been published before that I am going to start working on soon, and that’s more exciting and unexpected.

Publishing

I have published quite a lot of remasters now. I’m not sure which ones I have written about here before, so I will just give a list of all the ones that are available:

Novels

Short Stories

And I think that brings us about up to date. I’m trying to post more regularly to my blog now, so check back again on Monday.

Heinlein’s Rules

Last week I put an index card on my desk, which I see every time I sit down to work. On it are Heinlein’s five rules for the business of writing:

  1. You must write
  2. You must finish what you start
  3. You must refrain from rewriting except to editorial order
  4. You must put it on the market
  5. You must keep it on the market until sold

I first became aware of these rules on Dean Wesley Smith‘s website. He has a lot of great thoughts on them.

Yesterday I wrote about rule four, but the only one of those rules that I have consistently stuck to is rule 1: You must write.

In recent years, I have found finishing what I start to be a challenge. My computer is littered with incomplete manuscripts.

When I put index card on my desk, I made the commitment to follow those rules. I didn’t think that it could make much difference, but I am glad that it has. My current story went through a challenging period, and I was beginning to convince myself that I needed to start it again, or give up on it completely.

Having the rules as a constant reminder helped me push through those doubts and once again the story is flying. I wrote over 3,000 words on it today.

I have a lot more thoughts on these rules, and how I intend to apply them, but right now my focus is on sticking to rule 2 and finishing everything I start.

Heinlein’s Fourth Rule

Heinlein’s 4th rule states that “you must put it on the market” and that is something that I haven’t always done. I have been writing for publication for more than ten years now and have only published about 50% of what I started writing.

Some of those projects are lost forever, started in some random notebook when I thought writing longhand would solve all my problems. I can’t do anything about those. Others were written on a computer but abandoned halfway through a first draft, they will be tricky, but not impossible, to get back into.

I can do something about the rest though and I spent a pleasant half hour this morning trawling through Dropbox and downloading stories that I never got around to publishing.

They range from short stories to trilogies across multiple genres. One series I got as far as having covers made, but never quite got around to publishing. That one didn’t get published because I came up with a new plan for the series and they weren’t compatible. I nevere got around to writing that series, so now I can publish what I originally wrote.

I am trying to get better about finishing what I start. In the middle of the process, when the excitement of starting something new has worn out, it is easy to convince myself that a project isn’t going anywhere, or that it’s no good. The thing is that I know that is the worst time to actually judge a story. And even when it’s done, I don’t think writers can really judge the quality of their own work.

There are some new projects on my list that I’m really excited about. Maybe I will even get around to continuing the series that almost, but never quite, made it to publication. Either way, I am excited for people to finally read them.