A weekly update on the projects I am currently working on.
The Ladies Adventure Society Book 1
Status: First Draft WIP
I started working on this book in August under the series title Twilight of the Angels. A few thousand words into that draft and something didn’t feel right. Rather than force my way through, which I could have done, I took some time away from it to come up with a solution. The Ladies Adventure Society had always been another title for the series, but the title didn’t quite fit with the book. The more I thought about it, though, the more I realized that was the series I wanted to write. So a bit of reworking later, that’s where I am. The new draft started last Friday and as of today it currently stands at 18,000 words. Or about a fifth of the way through the first draft. Best guess is that I will publish the book sometime next year.
Abomination: Remastered
Status: Cover and Formatting WIP
The re-edited edition is finished, and my designer is working on the new cover. The new-edition contains a lot of updates and corrections that should bring it in line with my original intention. Over the course of the next year, I am going to be doing remasters of all my old work. This one is the first and should be available from the first week of October, all things going well.
The Ghouls: Remastered
Status: Editing WIP
I started the re-edit of this on Thursday. It’s a more recent book than Abomination, and I’m finding there is a lot less to fix. So work is going quickly, and it looks as if it will also be available in October.
Social Media
Status: New Instagram Account
One thing that I have never done a good job at is social media. I am going to be using it a lot more this week and have set up a new Instagram account you can find by clicking here.
The Shadow Walker
Status: On Hold
The first draft is finished. While I work on the remastered editions, this will remain on hold. Hoping that I will release it in the next twelve months.
I have been writing stories since I was a kid. I can still remember lying on the floor in front of the TV with my new Ghostbusters notebook and pencil and writing a story about how Slimer became a Ghostbuster. That would have been when I was around seven years old.
It was all just for fun, but that was all it needed to be.
Many years later, I was still writing, although school and socializing meant I didn’t have as much time for it as I used to. I wasn’t reading so much either. Honestly, if things had carried on the way they were, I probably would have given up on the whole writing business.
Then I read The Stand: The Complete and Uncut Edition.
If you’ve read it, you know it’s a big book. Certainly the biggest I’d read up to that point. I went through the whole thing in a single weekend, and I was hooked.
From that point on, I read every Stephen King book I could get my hands on. There were a lot. I raced through them all. Some I loved more than others, but every one of them had something special about it. I started reading interviews, and then tracking down the books that he loved, and reading them as well.
And a funny thing happened along the way. It wasn’t just a love of reading that returned; it was writing as well. Suddenly, I was taking the idea of becoming a professional writer seriously.
After that I was buying the writers digest, submitting stories to magazines and following King’s advice from On Writing. I was on the journey that would lead me to where I am today and wherever I will be in the future. None of it would have happened if it wasn’t for Stephen King.
I was born in 1983 and for more than half my life, reading books has meant paper. The first ebook reader I ever saw was in Waterstones book shop. It was one of the old Sony Reader ones, which means it can’t have been earlier than 2006 when they were released. Probably more like 2007. This was the first time I had seen an e-ink screen, and I was immediately interested. Unfortunately, I was a student at the time and the £500 that it would have cost to buy put it well outside of my price range.
The first ebook reader I owned was the Kindle Keyboard, which was the third-generation device, and the first at a price I could justify. Amazon released it in 2010, which means I would have been 27 years old when I started buying eBooks.
In the 13 years since I bought my first digital book, I have never not owned an eBook reader. Most of the time, that has been a Kindle, but I have also owned a Kobo and an Onyx Boox. They have always been e-ink devices.
I have bought paper books as well during that time, but reading that way no longer feels right. Although I love the aesthetics of a paper book, and I enjoy seeing them on my shelves, nothing can really beat the ease and convenience of reading an eBook.
Regardless of how many pages the book is, when it’s the eBook edition, it is comfortable to hold and read. I can carry around an epic fantasy novel with the same ease of a novella.
When I have tried going back to paper books (from time to time I get nostalgic for them) I have found I read much less. It’s difficult to hold a paper book open in one hand while stroking a cat. Paper books close themselves when putting them on the table to read while eating.
With a digital book, I can also read on my phone if I have forgotten to bring my eBook reader with me, or if I have been delayed unexpectedly somewhere. If I want to, I can buy the audiobook version as well and split my reading between audio and visual.
I have never been one to take notes in actual books. Something about writing in a book has always felt wrong to me. But I can do that with a digital book and not feel any sense of guilt. When I sync those notes and highlights up with a digital service like Obsidian, I can carry my book notes around wherever I am. As well as back them up, so I don’t have to worry about losing the book.
Last year I started wearing glasses for reading. With a digital book reader, I can adjust the size of the text so that I can still read myself to sleep without needing to wear them. That’s a convenience for me, but there are millions of people who need larger text books to read at all. With paper they are reliant on publishers putting out a large print edition, but with a digital reader they can make any book large print.
Digital books are not without their shortcomings. I have bought paper editions that feature illustrations, for example. But advances in color e-ink and increasing screen sizes of digital book readers are likely to eliminate those limitations in the next few years.
I also owe my career to digital books. While it’s now possible for independent creators to publish both paperback and hardback editions, it’s hard to imagine print-on-demand existing without the independent author movement being fueled by digital books.
I have nothing against paper books and expect to continue buying them from time to time. I will certainly continue publishing my own books on paper, because I love having a physical copy of them. But I love digital books most of all, and cannot foresee a time when they won’t be my primary reading method.
As of last night I officially own the domain name JRVPress.com
This is the name for the company that I will be using to publish my books going forward.
The name stands for Jude Robert Victor. This is the name of my oldest son.
Jude was born on 12th July 2013 and he died suddenly and unexpectedly on 1st June 2021.
I haven’t written about Jude’s death here yet and now does not feel like the time to do so. What I will say is that Jude loved books. He devoured them, both metaphorically and literally. We have dozens (hundreds?) of books that still have his tooth marks in them.
It seems like a suitable name for a publishing company. I think he would have appreciated it.
It’s pretty common for movies to be re-released as ‘remastered editions’ or ‘directors cuts’. It’s less common for it to happen with books. And I’m not sure why that’s the case.
I started publishing about ten years ago, and I have learned a lot during that time. I have gotten better at writing and publishing and I want my work to reflect that.
A lot of the stories that I have published haven’t sold particularly well, despite getting some reasonable reviews. Part of the reason for that is that I have done no promotion. One reason I haven’t done is because I don’t feel confident in the books themselves. I wouldn’t say there is anything wrong with them, although I suspect they read amateurishly and don’t represent the best I can produce.
Which is where these remastered editions come in. I am going through all my backlist titles and re-editing them and making them as good as I can today. Once I have done that, I think I’m going to feel a lot happier promoting them to people.
Avoiding the Star Wars Problem
I was born in 1983, just before Return of the Jedi came out. There were no new films produced until I was almost an adult. Star Wars was something I was always aware of and when the original films were re-released, I saw them at the cinema. Star Wars was cultural background, so I heard all about the problems with the new editions.
Although my backlist is not Star Wars, I am keen to avoid changing things that change the stories. I don’t want to have a Greedo shooting first moment. So I am limiting the changes I can make.
These remasters are a spit and polish. They are an attempt to improve what is already there and make it as good as they should have been in the first place. That’s why I’m looking at grammar and spelling and making things clearer where they aren’t already clear.
This is also a question of time. I believe that the best thing I can do to get more readers is to write new stories, and that is what I am using most of my time for. But if those readers want to delve into what I have written previously, I want them to enjoy the experience, not give up and say that my past work is terrible.
The First Remaster
I have gone back and forth on what the first release should be. If I was further ahead, then I would go with the zombie books, which are by far the most popular titles. I have, in fact, already remastered the first book in the trilogy and started work on the second. But then we have Halloween coming up and I thought it would be good to have something ready for that.
The first remaster that I will release is Abomination. It’s a haunted house story. It’s a standalone title. My plan is to have it ready and published in October so that I can promote it for the spooky season.
I wrote a post a few weeks ago during the whole thing with Reddit changing the API rules. I never posted it and it’s not relevant anymore, but it made me think about the digital tools I use.
It’s not as if anyone ever thought that Reddit was a not-for-profit, but the sudden change of rules still caught everyone off guard. In the weeks since things have settled down and if you go on Reddit now, it’s like nothing ever happened. I don’t know if you can say the same about Twitter / X because I haven’t been back since I deleted my account.
The thing is, these places are social media platforms and there is an unspoken agreement that we give them content in exchange for a mechanism which allows other people to view that content. I’m kind of uncomfortable with that agreement for several reasons, but it is what it is. We accept they are going to make money from our content, so the fact that Reddit and X have done so, in a way that has upset a bunch of people, is annoying but understandable.
What about places that aren’t social media platforms?
This is the one that really gets me because there are a lot of places online where we put important things on the assumption that it is going to remain there. Or that we are going to be able to continue accessing it. I used to do it and sometimes I still do. But it makes me uncomfortable because they can change the rules at any moment.
It’s not entirely clear to me what the answer is to any of this. I try to do as much of my writing as I can in plain text and use local storage. I started this blog back up again. I am still looking at ways I can manage the content I create and keep ownership of it. If the changes at Reddit have shown us anything, it is that building a business on someone else’s platform is precarious.
